So, thinking about this piece, I just started contemplating the next workshop and how these pieces we've read come into play. There's a method to the madness (even if the method is plain insanity). There's structure in the pieces; either in the jumps or in the "headings" and both Heart and Paraguay employ.
Of course, I know there's a hell of a lot more to read before our second workshops, but the wheels are turning in my head now. Or, maybe they're grinding against wanting to come up with some algorithm for this (and I really, really suck at math)
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